Ashgate Popular and Folk Music Series
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Chanson, Peter Hawkins (Ed), 2000
Rock: The Primary Text: Developing a Musicology of Rock, Allan F. Moore, 2001
Settling the Pop Score: Pop Texts and Identity Politics, Stan Hawkins, 2002
The English Traditional Ballad: Theory, Method, and Practice, David Atkinson, 2002
'Every Sound There Is': The Beatles' Revolver and the Transformation of Rock and Roll, Russell Reising (Ed), 2002
How Popular Musicians Learn: A Way Ahead for Music Education, Lucy Green, 2002
Global Repertoires: Popular Music Within and Beyond the Transnational Music Industry, Gebesmair / Smudits (eds), 2002
The British Folk Revival 1944-2002, Michael Brocken, 2003
Pop Music - Technology and Creativity: Trevor Horn and the Digital Revolution, Timothy Warner, 2003
Popular Music in France from Chanson to Techno: Culture, Identity and Society, Hugh Dauncey, Steve Cannon (eds), 2003
Remembering Woodstock, Andy Bennett (ed), 2004
Brimful of Asia: Negotiating Ethnicity on the UK Music Scene, Rehan Hyder, 2004
Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s, Annette Davison, 2004
Madonna's Drowned Worlds: New Approaches to her Cultural Transformations, Fouz-Hernández / Jarman-Ivens (ed), 2004
Music, Space and Place: Popular Music and Cultural Identity, Whiteley/Bennett/Hawkins (eds), 2005
The Evolution of Jazz in Britain, 1880-1935, Catherine Parsonage, 2005
The British Barbershopper: A Study In Socio-Musical Values, Liz Garnett, 2005
The Music and Art of Radiohead, Joseph Tate (ed), 2005
The Resisting Muse: Popular Music and Social Protest, Ian Peddie, 2006
White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock, Matthew Bannister, 2006
European Film Music, Miguel Mera and David Burnand, 2006
Performance and Popular Music: History, Place and Time, Ian Inglis (ed), 2006
Changing Tunes: The Use of Pre-existing Music in Film, Phil Powrie and Robynn Stilwell (eds), 2006
Brazilian Popular Music: Caetano Veloso and the Regeneration of Tradition, Lorraine Leu, 2006
Popular Music Censorship in Africa, Drewett / Cloonan (eds), 2006
'Speak to Me': The Legacy of Pink Floyd's The Dark Side of the Moon, Russell Reising, 2006
The North American Folk Music Revival: Nation And Identity in the United States And Canada, 1945-1980, Gillian Mitchell, 2007
Music, National Identity and the Politics of Location: Between the Global And the Local, Ian Biddle, Vanessa Knight, 2007
Gendered Score: Music and Gender in 1940s Melodrama and the Woman's Film, Heather Laing, 2007
Decline, Renewal And the City in Popular Music Culture: Beyond the Beatles, Sara Cohen, 2007
Sonic Synergies: Music, Technology, Community, Identity, Bloustien / Peters / Luckman (eds), 2007
A Song for Europe: Popular Music and Politics in the Eurovision Song Contest, Raykoff / Tobin (eds), 2007
Gender in the Music Industry, Marion Leonard, 2007
'Blerwytirhwng?' The Place of Welsh Pop Music, Sarah Hill, 2007
Kate Bush and Hounds of Love, Ron Moy, 2007
The Lost Women of Rock Music, Helen Reddington, 2007
Popular Music and the State in the UK, Martin Cloonan, 2007
How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom, Roberta Freund Schwartz, 2007
Inside British Jazz, Hilary Moore, 2007
Music, Informal Learning and the School: A New Classroom Pedagogy, Lucy Green, 2008
Blackface Minstrelsy in Britain, Michael Pickering, 2008
Last updated March 2009 |